Lunch time walk to the lighthouse. Looking back at the Golden Gate Bridge with San Francisco in the background. Look at the currents!
Last week was the March Weaving Intensive with Judith MacKenzie McCuin at Point Bonita (Marin Headlands). And what a glorious week it was. Yes, any week with Judith is glorious, but it was doubly so since spring had sprung with a vengeance in the SF Bay Area. The weather was in the upper 60s/low 70s the entire week. Simply glorious.
This is my 3rd year of weaving intensive with Judith; 4th in the series. (I missed the first year.) This year’s intensive is titled “Designing with the Reed.” I had no idea what it meant heading in, but willing to go along with whatever Judith presented.
In turns out, this year’s topic is cram and space. Our first project was with Judith’s own kettle dyed yarns.
I’ve seen scarves produced this way. They’ve never done anything for me. I have to admit that my heart sank a bit when we started weaving. 5 days of producing fabric that I didn’t want?
Oh well. Perhaps I can full this piece and sew it into a small accent pillow cover. I used this piece to experiment with color. How do I bring out the gorgeous colors in dyed yarn? As you can see from the picture, each color brought out different elements of the dyed warp.
I should have known better than to doubt Judith. This first piece was just the launch point for a whole category of fabric to be explored. Here’s a quick peek at what I produced last week, all based on the same technique.
a bevy of scarves
I’ll share the details of these projects over the next few days. In the meantime, let me leave you with another picture of the Golden Gate Bridge.
Sunrise over the Golden Gate Bridge.
